I——” The door was thrown open. She drew her naked arms around herself. She seemed tense when not playing, he noted, more so than she had during the first two pieces. 1. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. She mentioned, with familiar respect, Christ and Buddha and Shelley and Nietzsche and Plato. Perhaps for the first time he realized that Anna was by no means an ordinary person. She had found a couple of articles about him over the years, blurbs about the opening of a theater that mentioned him.
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