There were neither texts nor rubbish on the walls, but only a stirring version of Belshazzar’s feast, a steel engraving in the early Victorian manner that had some satisfactory blacks. Ann Veronica could at the same time ask herself what this queer old gentleman could have meant by speaking to her, and know—know in general terms, at least—what that accosting signified. Her evident terror and distress reinforced the tale he told. He then arose, and, taking a few turns in the chamber, stopped suddenly before her.
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