Constance Widgett’s abundant copper-red hair was bent down over some dimly remunerative work—stencilling in colors upon rough, white material—at a kitchen table she had dragged up-stairs for the purpose, while on her bed there was seated a slender lady of thirty or so in a dingy green dress, whom Constance had introduced with a wave of her hand as Miss Miniver. She stopped abruptly at the sound of his voice, and lost the thread of what she was saying. It was something that would create a mutual claim, a relationship. Her amusement fled and she stared at him, as a slow thump began beating at her breast. Ann Veronica readjusted her chin on her hand. It throws out a number of broad experimental generalizations, and then sets out to bring into harmony or relation with these an infinitely multifarious collection of phenomena.
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