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Her name was Rhea. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “It’s a way of avoiding explanations. ” “One may do both,” said Ann Veronica. Quilt was not long in following his example. A pair of startled blue eyes looked up into his.

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