She rambles continually about Jack, and her husband, and that wretch Jonathan, to whom, as far as can be gathered from her wild ravings, she attributes all her misery. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. Hear me then, now, before I take one step to establish my origin, or secure my rights. Not entirely. Diedermeyer, sweetheart? He just went in. But when she learns that you are a fugitive from justice…. You are going to be generous and forgive.
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