" The feminine vanities in Ruth were quiescent; nothing had ever occurred in her life to tingle them into action. \"Hardwood floors. The poor wretch, driven by desperation to the commission of a crime which her soul abhors, is no more beyond the hope of reformation than she is without the pale of mercy. Blotted out—Love! With infinite care, through nearly a thousand pages, her father had obliterated the word Love. Spurlock understood that his vantage would be temporary; the Wastrel had been knocked down, not out. ToC For a short space, Mrs.
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