He was afraid if he stayed that he would make a fool of himself. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. Ann Veronica was much impressed by a mighty trying on and altering and fussing about Alice’s “things”—Alice was being re-costumed from garret to cellar, with a walking-dress and walking-boots to measure, and a bride’s costume of the most ravishing description, and stockings and such like beyond the dreams of avarice—and a constant and increasing dripping into the house of irrelevant remarkable objects, such as— Real lace bedspread; Gilt travelling clock; Ornamental pewter plaque; Salad bowl (silver mounted) and servers; Madgett’s “English Poets” (twelve volumes), bound purple morocco; Etc. But it was otherwise with the carpenter. Sated, he rolled off her body and retired to his quarters.
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